A new report from The European Audiovisual Observatory provides an overview of the supply of services in the European audiovisual media landscape. Based on the analyses of 2020 figures from the Observatory’s MAVISE database, this publication offers insights from two perspectives: The first focuses on the supply of audiovisual media (AV) services in Europe, presenting […]
The MAVISE Database shows that many of global channels that were based in the UK have now been compelled to move to the continent to maintain their in-EU origin status. In all 250 broadcast licences have, of necessity, been ‘deported’ since Brexit. Broadcasters moving international ops away from the UK include: Discovery, Disney, NENT, NBC, […]
A report from the European Audiovisual Observatory focuses on the evolution of the SVoD, TVoD abd AVoD markets in the European Union (EU28) and their impact on the traditional audiovisual markets. The paid VoD market (SVoD and TVoD) exploded in the past 10 years, with revenues increasing from €388.8 million in 2010 to €11.6 billion […]
The European Audiovisual Observatory has updated its annual report on the prominence of European films and programmes on transactional VoD (TVoD). This new analysis of the prominence of films and TV series covers 57 leading TVoD services from 7 European countries. Key findings from this report: The top 10 promoted films capture about 40 per […]
The European Audiovisual Observatory has published its latest report on Film and TV content on VoD platforms in Europe. The report finds that European film and TV series seasons represent 32 per cent of all content found on TVoD and 27 per cent of SVoD in the EU. Further key findings from the report include: […]
A European Audiovisual Observatory report looks at how many films released in European cinemas since 1996 made it to VoD. The report illustrates the complex relationships between the release of films in cinemas and on VoD. Author Gilles Fontaine, Head of the Observatory’s Department for Market Information, underlines that this relationship is one of “cooperation […]
The production of high-end series is trending upwards, fuelled on the one hand by the investment in TV fiction of the pure SVoD players, chiefly Netflix, but also by a rebalancing of broadcasters’ investment from TV films to series – a move to better retain audiences. Available figures suggest that only a limited number of […]